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Guitar Master

Lesson 27 / 30 7 min

Arpeggios

Play chords one note at a time to outline harmony in your solos.

An arpeggio is a chord played one note at a time. Arpeggios let you "outline" the harmony in a solo: when you land on chord tones, your lines sound strong and intentional.

Arpeggios vs. chords

When you strum Am, all notes sound together. When you play A – C – E one after another, it's an A minor arpeggio. In fingerstyle playing, arpeggiated chords are everywhere — like the classic "picking" accompaniment of ballads.

Picking an Am chord · 80 BPM
e|-------0-------0-------0-------0---|
B|-----1---1---1---1---1---1---1---1-|
G|---2-------2-------2-------2-------|
D|-------------------------------------|
A|-0-------0-------0-------0---------|
E|-------------------------------------|

Triad arpeggio shapes

Here are A minor and A major arpeggios around the 5th fret, using the chord tones only:

A minor arpeggio (1 ♭3 5)
EBGDAE56789A4Bb4B4C5C#5E4F4F#4G4Ab4C4C#4D4Eb4E4G3Ab3A3Bb3B3D3Eb3E3F3F#3A2Bb2B2C3C#31♭351♭351♭3
A major arpeggio (1 3 5)
EBGDAE456789Ab4A4Bb4B4C5C#5Eb4E4F4F#4G4Ab4B3C4C#4D4Eb4E4F#3G3Ab3A3Bb3B3C#3D3Eb3E3F3F#3Ab2A2Bb2B2C3C#31351351

The only difference is the third: ♭3 for minor, 3 for major — just like the chords.

Seventh arpeggios

Add the 7th for jazzier, more melodic lines:

Am7 arpeggio (1 ♭3 5 ♭7)
EBGDAE56789A4Bb4B4C5C#5E4F4F#4G4Ab4C4C#4D4Eb4E4G3Ab3A3Bb3B3D3Eb3E3F3F#3A2Bb2B2C3C#31♭35♭71♭35♭71♭3

Sweep picking

Sweep picking plays arpeggios across strings with a single, continuous pick motion — like a slow strum where each note sounds separately. It's a hallmark of neoclassical and technical metal.

Small sweep: A minor · 70 BPM
e|-----12-17-12--------|
B|---13----------13----|
G|-14--------------14--|
  • Down-down-down on the way up, up-up-up on the way down.
  • Lift each finger right after its note so notes don't ring together ("rolling" is the key).
  • Start very slowly. Sweeping sounds terrible when sloppy and amazing when clean.

Using arpeggios over changes

Follow the chords: play the notes of each chord while it sounds. Here's a simple line over Am – F – C – G that only uses chord tones:

Arpeggios over Am – F – C – G · 90 BPM
e|-------5-------1------------------|
B|-----5-------1---------1----------|
G|---5-------2---------0---------0--|
D|-7-------3---------2---------0----|
A|-----------------3---------2------|
E|-------------------------3--------|

When improvising, aim to land on a chord tone on the first beat of each new chord. Even simple pentatonic solos sound much more "inside" the music this way.